The gaze of a Parisienne

Looking at a work of art, making it your own, interpreting it, being moved by it, coming back to it, remembering it... What makes a work of art part of art history? -Lucie Picandet, philosopher and artist, invents a language: she paints, embroiders, sculpts and draws, using any medium to express her philosophy, and surprises us with her dreamlike iconography. On vibrant gold backgrounds, she writes painting. -They rewrite the history of photography: the artist couple Brodbeck and de Barbuat invite the IA full of the memory of iconic photographs to create slightly distanced images. A sort of déjà vu, with a slight discrepancy that echoes the world we inhabit as much as it inhabits us. -Pauline Rose Dumas calligraphies this story of an invisible and visible workshop, a blank canvas at first glance. She plays with metal as an ink that structures and flows, from the support to the work. -Juliette Agnel's photographs are spectacular: they are painting, they are sculpture, but above all they are music. Ice gates, vestiges of a vanished world in the Sudanese desert, prehistoric caves. His solitude in the face of immensity is part of the vortex that sweeps us along. These diverse writings, these detour, these restitutions that offer themselves to our divergent readings in a clatter of silence and its unlimited resonance are certainly good indications that an artist has entered history.